Download e-book for iPad: Affectivity in Interaction: Sound Objects in English by Elisabeth Reber

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By Elisabeth Reber

ISBN-10: 9027256209

ISBN-13: 9789027256201

How do individuals show affectivity in social interplay? in keeping with recordings of genuine daily conversations and radio phone-ins, this research deals a fine-grained research of ways recipients of affect-laden informings install sound gadgets, i.e. interjections (oh, ooh and ah) and paralinguistic signs (whistle and clicks), for responsive monitors of affectivity. reading using such sound gadgets throughout a couple of interactional actions together with information telling, issues speak, complaining, checks and service, the learn offers proof that the sound trend and sequential placement of sound gadgets systematically give a contribution to their particular meaning-making in interplay, i.e. the administration of series company and interactional relevancies (e.g. affiliation). proposing an in-depth research of a bit researched region of language use from an interactional linguistic standpoint, the publication may be of theoretical and methodological curiosity to an viewers with a history in linguistics, sociology and conversational stories.

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Extra resources for Affectivity in Interaction: Sound Objects in English

Example text

Next-turn proof procedure can thus be understood as an analytic tool to avoid circular analysis. In the present study, both practices (repeated data sessions and next-turn proof procedure) have laid the foundation for the analytic procedure. Nevertheless, the analytic reconstruction of the recorded interaction is still based to some extent on interpretation, which cannot be fully detemined by nor entirely inferred from the conversational processes examined (Deppermann 2001: 56). It is our task as analysts to become aware of these interpretive processes and to lay them open as part of our analytic work.

The use of vocalisations not only orients towards a sequential order but also follows a formal systematics in terms of prosodic-phonetic properties. These points will be elaborated as follows: ad a. In general, vocalisations perform specific, situated actions. For example, they can function as continuers (uh huh) or assessments (oh my, wow) (Schegloff 1982). ad b. Vocalisations are used in specific sequential positions and have specific interactional and sequence-organising functions. However, recipients may use a range of resources in the same sequential position.

14 As per a minimal definition, interjections can be characterised by five constitutive features (Nübling 2004: 13): (1) expression of a spontanenous emotion, (2) absence of referential meaning, (3) lack of inflection, (4) syntactic autonomy and (5) possible onomatopoeic structures. With the exception of feature 3, these are also widely found in the descriptions of English interjections in grammars and within semantic/pragmatic, discourse analytic and computational linguistic frameworks. Going back to Bühler’s Theory of Language (Sprachtheorie) of 1934, the notion that interjections serve as expressions of a spontanenous emotion (1) is closely associated with the idea of the absence of referential meaning (2).

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Affectivity in Interaction: Sound Objects in English by Elisabeth Reber

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