By Geoffrey T. Harris (auth.)
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Additional info for André Malraux: A Reassessment
De l'autorite ne se rencontre pas a Paris aussi souvent qu'ils ont tendance ale croire). 35 Similarly his previously published farewell letter stresses that his decision to leave for France was prompted by the need to appeal directly to the 'French people', who, he assures his Vietnamese readers, 'will not accept that the suffering of which you bear the marks be inflicted in their name' (Le peuple, en France, n'acceptera pas que les douleurs dont vous portez les marques vous soient infligees en son nom).
Soudain l'un des fruits denis(a, projetant a travers les alligators neuf personnages qui en renverserent neuf rangees, comme des quilles, s'enfuirent vers une vegetation proche, s'y enfoncerent et, bien caches, se reunirent. Ils se coucherent a l'ombre d' arb res coniques auxquels semblaient suspend us - breloques? fetiches? fruits? -des grosses pommes ecarlates qui etaient des CCEUrS. (LP, 7-8) At the same time the narrative emphasis on the transformation of an already alien reality owes a great deal to Jacob's cubist theories concerning the objectivised autonomy of the work of art whose intrinsic worth is independent of any comparisons with external reality?
A recent opinion-poll among high-school teachers of French literature in France, placed Malraux eighth in a 24 Andre Malraux: A Reassessment list of twenty-one authors they most frequently recommend to their students - below Camus, Sartre and Mauriac, but above Beckett, Gide and Proust. 36 As memories of political allegiances fade, two things become clear. Firstly, Malraux's apparent political ambiguity is largely the result of an uncritical acceptance of the Malraux myth which has obscured a common ideological perspective underlying his entire career37 in parallel with the more obvious common metaphysical denominator which underpins his artistic diversity.
André Malraux: A Reassessment by Geoffrey T. Harris (auth.)